(By Three O'Clock Press; originally published at threeoclockpress.com)

Leah Lakshmi Piepzna-Samarasinha is a queer femme mixed Sri Lankan (Burgher/Tamil)-Ukranian/Irish writer, poet, educator and cultural worker. Named one of the Feminist Press' “40 Feminists Under 40 Who Are Shaping the Future," Leah's written work spans the genres of essays to poetry and non-fiction. Her 2012 Lambda award-winning collection of poetry, Love Cake, was ecstatically received by the LGBTQ community for its powerful prose. Leah's work has appeared in countless anthologies, including Dear Sister, Undoing Border Imperialism, Stay Solid, Persistence: Still Butch and Femme, Yes Means Yes, Visible: A Femmethology, Homelands and Colonize This, just to name a few.

In Leah's contribution to Letters Lived: Radical Reflections, Revolutionary Paths, she speaks frankly about her shaky roots. A queer survivor through and through, Leah writes about escaping abusive relationships and a blood family that didn't give her enough room to explore her surroundings. She is a major proponent of the endless possibilities that come from community support, a belief strongly reflected in her work as an artist, co-founding Mangos with Chili, North America's performance hub for Two Spirit, queer and trans people of colour performance artists.

"The queer and trans, feminist of colour, anti-colonial, disability-loving, broke ass genius movement you are a part of has saved your life over and over again."

Leah has taught, performed and given lectures across North America, Sri Lanka and Australia, and in Toronto she co-founded the Asian Arts Freedom School. As an emerging artist, Leah relied on writing art spaces that were difficult to come by in her community. Through the Asian Arts Freedom School, she hopes to bolster the confidence of marginalized writers of colour who are going through similar issues.

At the moment, Leah is prepping her first memoir, Dirty River. She is also currently completing her third book of poetry, Bodymap, and a writers manual, Writing the World. You can find out a lot more about Leah and her work on her website brownstargirl.org

You can catch Leah tonight at a very special Letters Lived event with fellow contributor, Dr. Rozena Maart! These two women will be joining Letters Lived editor Sheila Sampath for a reading and some coversation. We hope to see you there!

Posted
AuthorSheila Sampath

(By Three O'Clock Press; originally published at threeoclockpress.com)

 

We do not come into the world like fully baked cakes; someone has provided the ingredients before us—several men and women—and it is up to us to honour their memory and to honour the history of how we came to be educated. Your generation has been buttered in the hands of our grandmothers, who made sure that our lives would be greater than theirs—always remember that. We are all as great as the community of women who raised us, and nothing is greater than the gift of gratitude. — Dr. Rozena Maart, Letters Lived

Today in our blog series dedicated to the contributors of Letters Lived, we're going to learn a bit more about a truly incredible woman: Dr. Rozena Maart.  Dr. Maart was born in Cape Town's District Six neighbourhood, from which her family was forcibly removed in the mid-1970s as part of the apartheid government’s Forced Removals Act. In 1986, Rozena co-founded Women Against Repression (W.A.R.), the first Black Feminist Organisation in South Africa, for which she was nominated for the “Woman of the Year” award. In the years since, Dr. Maart has worked as a professor, researcher, writer, consultant, psychoanalyst and has also written and directed for theatre—a passion she has held throughout her life.

In her contribution to Letters Lived, Dr. Maart wrote a letter to her 16-year-old self from 1978. In her letter, Maart describes the incredibly devastating impact of apartheid on the life of herself and her family, but also shares the many ways in which they practiced resistance, like by sharing family history:   

"There is sorrow in the lives of many grandparents who have had their lives cut and sliced by legislation that has attempted to dehumanize them, but look how Mamma and Pappa wake up every morning. Look at how they still continue with their day, and how they still see their friends and still have parties... You are only a slave if you allow your enslaved history to keep you shackled to a reality that situates your past as present. Mamma and Pappa know that all too well.   As grandparents, they have made sure that all of their grandchildren know their history; there is good reason for that. Without knowledge of our history, we are not able to live in the present. Being able to know—like you do—is a gift."

Another way in which the young Dr. Maart practiced resistance was by using her passion for drama and performance. As a young woman, Maart used the theatre not only as a place to develop her voice and work through emotions, but also to bring focus to important issues affecting women: "Young women need to have forums that allow them the kind of expression that you are known for. Theatre is a joy and will give you the possibility of bringing the lived experience to the stage in very particular ways... The street theatre you organized in Lavender Hill was important—even if people laughed. There are those who laugh because crying is too painful. At least you are able to raise awareness of rape and sexual abuse."

Throughout her life, Dr. Maart's work in the theatre, as well as her creative, journalistic and academic writing, has continued to focus on race, gender and creativity. Her book of short stories, Rosa's District Six, and novel, The Writing Circle, were both published to great acclaim. There are tons of great links on her website, including more about her family history and a list of her writings and accomplishments.

Which leads us to.... your upcoming opportunity to hear the incredible Dr. Maart speak! This coming Monday, December 16, Rozena and Leah Lakshmi Piepzna-Samarasinha will join Letters Lived editor Sheila Sampath for some readings and to share conversation. Gonna be casual and fun. We hope you can make it!

Posted
AuthorSheila Sampath

(By Three O'Clock Press; originally published at threeoclockpress.com)

Juliet Jacques is a British journalist who writes extensively on gender, sexuality, film, literature, and football. She writes regularly for publications such as The New Statesman, Verso, Cineaste, and The Guardian, where she started to gain a following while documenting her gender reassignment process for which she was longlisted for The Orwell Prize in 2011. We recently talked to Jacques about her background in activism, including her involvement in co-founding The Justin Campaign against homophobia in football. Even so, Jacques admits that she feels most comfortable with the title of writer.

"[The Campaign was] named after Justin Fashanu, then the only professional player ever to come out. By then I’d immersed myself in Situationist ideas and liked their approach of addressing political problems through radical culture, and in the first year with the Campaign, we focused a lot on art and ‘happenings’ that raised awareness of the challenges for LGBT football players and fans. The Campaign took a more conventional turn, working with governing bodies, politicians and activist groups, and I stepped aside, to concentrate on my transition.

Mostly, I get called an activist because of my Transgender Journey blog in The Guardian, and I feel awkward about this. It was a socially motivated intervention into British journalistic culture – more on that here, if you’re interested – but I saw it as a literary project more than a political one. I couldn’t have written it without reading trans theorists such as Kate Bornstein, Leslie Feinberg or Viviane Namaste, but I was inspired by post-war novelists who explored internal consciousness in fascinating ways: B. S. JohnsonRayner Heppenstall and Ann Quin in Britain; Alain Robbe-Grillet, Marguerite Duras and Nathalie Sarraute in France.

The blog got a better reception than I anticipated, and I’d not expected people to call me ‘an activist’ for doing it, or for someone like Christine Burns, who worked hard for Press for Change in the 1990s and early 2000s, to describe me thus. I kept saying “I’m not an activist”, but that’s a loaded phrase: it’s not that I don’t care about the issues, more that considering me “an activist” for writing for a newspaper’s website obscures grass-roots or behind-the-scenes work that people do with politicians, media, schools and communities. As a result of the column, I’ve ended up doing some of that, usually through events held by LGB and/or T organisations, and my articles did change some minds and reach some influential people, but I’m a writer above all."

With a substantial archive of personal writing on struggles with identity, we asked Jacques how she decided what to say to her young, pre-transition self in her contribution for Letters Lived: Radical reflections, revolutionary paths.

"It ended up covering my emotional and intellectual journey from an isolated and alienated teenager in one of the most conservative parts of Britain to a writer on transgender living, politics and culture in my late twenties and early thirties. I’d spoken about this a lot, giving talks on it for LGBT History Month in 2012, so it came naturally. I tried to get a sense of my personality, then and now, focusing on continuity, as transition involved this feeling of disjunction, and the need to navigate social expectations for women in order to ‘pass’ whilst remaining true to myself.

In addition, I put in some of the things that I wish I’d known about in the 1990s, especially the wave of transgender theory in North America, and queer underground films by Pedro Almodóvar, Rosa von Praunheim and others. I also wrote about queer people and spaces that helped me bridge the gap between my teens and my thirties, and told myself to expect some disappointment with the conservatism of mainstream LGBT activism."

“Above all, the Internet is where you'll find the political queer and trans subcultures that, both theoretically and socially, first save and then reinvigorate your life.” - Juliet Jacques, Letters Lived. 

Jacques also talks about how crucial the beginning of the Internet was as a resource for trans youth looking to connect with like-minded individuals. We wanted to know which resources she finds most valuable for trans youth today that maybe weren’t as readily available when she was growing up.

"It’s not so much that things exist that weren’t there at all in my youth – more that they are far more visible, and it’s so much less intimidating, I imagine, for people to find each other. There are more obvious starting points now than there were in the 1990s – Gendered Intelligence, Facebook and Twitter, the Transsexual Road Map, maybe even some of my writing – and with broadband instead of dial-up, people with access can spend a lot more time going through the various resources and making sense of them."

"You think you’re gay, but you’re not sure; you struggle to recognize your gender and sexuality for what they are, and even when you do, you don’t have the words to describe them." - Juliet Jacques, Letters Lived.

Growing up in the UK during the 1990s, Jacques notes that she was drawn to writers in the United States who were coming up with radical critiques of transphobia and exploring new languages of expression and gender identities that helped Jacques better understand herself. We got her thoughts on trans activism in the UK versus North America and any crucial differences she notices.

"In the past, I thought North American trans activists were more focused on theory – finding ways to assert trans identities between the conservative demands of Gender Identity Clinics, who insisted that people conform to outdated stereotypes in order to access treatment, and the transphobic radical feminism of Janice Raymond, Mary Daly, Sheila Jeffreys and others, who attacked trans people for apparently conforming to outdated stereotypes. In Britain, activism seemed to be more pragmatic, concentrating on legal recognition of trans people’s identities, employment rights and access to sex reassignment services via the National Health Service.

But that said, we probably saw more US theory than engagement with social services and political institutions because it’s more internationally relevant. The Internet brought more of the latter to light, along with the battle against transphobia in LGB and feminist circles that British activists had fought for decades. In the 2000s, transphobic feminists controlled these debates in Britain’s liberal press, so these issues became more prominent, as trans people struggled to convince newspaper editors that they shouldn’t give platform to writers who aimed to mandate us out of existence. As in any such struggle, there are victories and defeats, and it’s not constant progress, but I think we’re winning that battle.

The next thing here is to improve the conduct of the tabloid press, which has been a huge issue since the phone-hacking scandal. Trans Media Watch have been fantastic, bravely submitting twice to the Leveson Inquiry about the humiliation, abuse and invasions of privacy routinely suffered by trans people at the hands of the Daily Mail, The Sun and other publications, despite knowing there would be a backlash."

Finally, Jacques talked to us about activism in the UK that has her excited, and some organizations she thinks we should definitely know about.

"I mentioned Gendered Intelligence, who do a lot of work with trans youth in London – my friends at Allsorts do the same thing in Brighton, and I think it’s wonderful that there are people bringing 13-25 year olds together and offering them some sense of community. In addition to Trans Media Watch, All About Trans do fantastic work in engaging with the media and striving for inclusion and more positive representation."

You can follow Juliet Jacques on Twitter and on her blog, At Home She's A Tourist. Jacques is currently working on a memoir and a volume of transgender history. 

Posted
AuthorSheila Sampath

(By Three O'Clock Press; originally published at threeoclockpress.com)

Victoria B. Robinson is an Afro-German activist, author, and mentor currently based in the U.S. Victoria shared with us how difficult the reflection process was in writing her contribution to Letters Lived: Radical reflections, revolutionary paths:

“I expected the text to be really easy to write, something funny and positive, something empowering for young women, a way to share some of the lessons learned. It was not easy at all. I extended the deadline twice. I thought about giving up. Then I came across this Rumi quote that was a perfect intro to it: ‘Yesterday I was clever, so I wanted to change the world. Today I am wise, so I am changing myself.’
I started again.”

Robinson’s writing often deals with her experiences of discrimination and exclusion in Germany. In Letters Lived, Robinson discusses the notion of personal growth as a lifelong process, something that she dealt with growing up in Germany, where she never really felt at home. This idea of continual change also extends to her career choices—having tried out everything from TV producer, fitness instructor, and event planner, Robinson knows it’s OK to question what you want to do, no matter what age.

Robinson’s work has been published in numerous books, anthologies, magazines, and performed on stage. She is part of the touring exhibition “Homestory Deutschland: Black Biographies in History and the Present,” which has been making the rounds in Europe and the African continent since 2006. The exhibition reflects the diversity of contemporary Germany, where one-fifth of the population is an ethnic minority. The exhibition sheds light on the histories of Africans, African-Americans, and Afro-Germans from the past 300 years of German history to reveal a varied and complex portrait of the country.

Robinson believes strongly in the healing ability of art and the importance of having that representation visiible within ones community. Robinson has spearheaded Black women initiatives including the Black European Women’s Council and ISD SiSTARS. She is also a founding member of Oakland Ink, a writing collective for people of colour that aims to help empower writers in safe, creative spaces and develop literary projects.

You can follow Victoria B. Robinson on twitter to stay on top of all her upcoming projects.

Letters Lived Launch Party is tonight! Centre for Social Innovation Annex, 720 Bathurst St. (South of Bloor) 7pm-10pm  We've got a great event planned, including: 

  • Contributors to the collection sharing their letters!
  • Youth sharing letters they have written to their future selves!
  • Tunes!
  • A letter-writing station where you can share your own radical reflections/revolutionary paths!

  Accessibility info: 

  • The CSI Annex space is accessible for mobility devices.
  • All of the restrooms are gender-neutral, single stall washrooms, including the mobility-device accessible washroom. 
  • Though CSI Annex does not have a fragrance-free policy in place during their normal hours of operation, we ask that all of our guests come to this event scent-free. There will be a designated fragrance-free seating area within the event.
  • ASL interpretation will be provided.
  • Though childcare will not be provided, this is a family-friendly event and space, and people of all ages are welcome.

*Please contact publicity@threeoclockpress.com in advance of the launch with any accessibility-related questions or concerns. RSVP to the event on Facebook: https://www.facebook.com/events/547610241974332/

Posted
AuthorSheila Sampath

(By Three O'Clock Press; originally published at threeoclockpress.com)

You may already be familiar with Canadian writer and indie musician Rae Spoon's body of work. Long recognized as a genre-defying singer-songwriter whose 2008 album Superioryouareinferior was longlisted for the Polaris Music Prize, just last year Spoon published their first book, First Spring Grass Fire. Nominated for a Lambda award (the biggest award for LGBTQ books!), First Spring Grass Fire is a collection of short stories about growing up queer in Alberta. In her review for the National Post, Jennifer LoveGrove describes the book as "a story of what we do to find a place, physical or intangible, that we can call home"—themes that Spoon also writes about in their candid and powerful contribution to Letters Lived.

In addition to Spoon's relatively new career as a writer—about which they joke in Letters Lived, "like you need two careers that your working-class family doesn’t consider 'work'"—a musical-documentary was just released about them in September. My Prairie Home, which is also the name of Spoon's most recent album, is a National Film Board production for which Spoon also provides the soundtrack. Developed collaboratively with Director Chelsea McMullan, My Prairie Home is based on Spoon's experience as a trans musician from the Prairies (an interesting interview about McMullan and Spoon's process can be found here).

Whatever the medium, Spoon's work is always both honest and innovative, and their contribution to the Letters Lived collection is no exception. 

We hope that you'll be able to join us—and our special guests, including Rae Spoon—at the Letters Lived Launch Party!  Spoon will be reading from their contribution to the book and playing some tunes, so don't miss out!

Letters Lived Launch Party! Centre for Social Innovation Annex, 720 Bathurst St. (South of Bloor) 7pm-10pm  We've got a great event planned, including: 

  • Contributors to the collection sharing their letters!
  • Youth sharing letters they have written to their future selves!
  • Tunes!
  • A letter-writing station where you can share your own radical reflections/revolutionary paths!

  Accessibility info: 

  • The CSI Annex space is accessible for mobility devices.
  • All of the restrooms are gender-neutral, single stall washrooms, including the mobility-device accessible washroom. 
  • Though CSI Annex does not have a fragrance-free policy in place during their normal hours of operation, we ask that all of our guests come to this event scent-free. There will be a designated fragrance-free seating area within the event.
  • ASL interpretation will be provided.
  • Though childcare will not be provided, this is a family-friendly event and space, and people of all ages are welcome.

*Please contact publicity@threeoclockpress.com in advance of the launch with any accessibility-related questions or concerns. RSVP to the event on Facebook: https://www.facebook.com/events/547610241974332/

Posted
AuthorSheila Sampath

(By Three O'Clock Press; originally published at threeoclockpress.com)

Sheila Sampath has been deeply involved in grassroots and anti-oppressive activism in Toronto since the early 2000s. A former chair at the board for the Rape Crisis Centre/Multi-cultural Women Against Rape, Sheila became serious about helping others when she sought help from a rape crisis centre in her hometown at the age of eighteen:

“The woman that I saw there was incredible and got me through a difficult time as I came to terms with my own experiences of sexual violence. After I finished seeing her, I decided to volunteer at the Toronto Rape Crisis Centre/Multi-cultural Women Against Rape. I wasn't cognizant of politics at the time, I just wanted to volunteer as a way of giving back to the services that I benefited from and to, well, pay-it-forward. The first night of training, I found myself politicized in a way that changed my life forever. On a political level, I started to understand sexual violence as systemic, not incidental, and understanding how multiple systems interact with one another to impact how we experience the world. On a personal level, I found myself experiencing the concept of safe spaces for the first time in my life, along with support and community. This helped me me come to terms with my own internalized racism and web of intersecting privileges and oppressions (a process that is still on-going), and this helped me understand the concept of solidarity and empathy, and experience the shared strength and power that comes from not being alone.”

Sheila holds a diploma in graphic design from George Brown College and an Honours BSc. in Sociology and Psychology from the University of Toronto, channeling her knowledge to use design as a tool for change as the Principal & Creative Director at The Public. A design studio with a very transparent presence in the communities it serves, The Public strives to leave a a positive impact on the cultures and environments it comes into contact with, including networks like the Ontario Women’s Health NetworkCanadian Federation of Students, and Alliance for South Asian Aids Prevention (ASAAP).

Sheila is always looking to make waves in media, and her latest project is no exception. Letters Lived: Radical reflections, revolutionary paths sees Sheila taking on the role of editor to a diverse group of international and cross-generational social justice activists who were asked to write a letter to their teen selves. We asked Sheila where the inspiration for this undeniably relateable collection came from:

"Activism is both an internal and external process that requires a lot of self-reflection and personal un-packing follow byed a linking and connection  to broader, more structural systems. It also requires a lot of compassion, patience, love and community-building. I've been doing activist work for a long time, and I've noticed that many of us lose patience with folks who are just entering complex political work, have silly questions or make mistakes. This hurts our communities because it doesn't allow us to grow, and it doesn't allow us to do our work in a way that honours the principles at its core. It also frames activism as a state — an identity or way of being — rather than as an ongoing process or learning and unlearning.

I thought that by reconnecting with our own younger selves, we could facilitate inter-generational dialogue and get a bit of a window into how people we may admire may have come to be. My hope is that younger readers can see a bit of themselves in these stories and also aspire to do awesome things, and that older readers can reflect on their own processes and extend empathy and compassion to others who may be working through some of the challenges they may have once faced."

The end product wouldn’t be what it is without the input of Sheila’s extended family, an impressive list of female and trans activists whose history of effecting change motivates us all to work that much harder. Letters Lived contributors include Coco Riot, Grace Lee Boggs, Elisha Lim, Rae Spoon, Victoria B. Robinson, and many others.

“I invited people to contribute who work on different levels and reflect the spectrum of what social justice means to me. I wanted to approach people who work in academic and non-academic settings, who practice their activism in both traditional and a-typical ways, and people who I also wanted to get to know better. This process was deeply valuable and meaningful to me.”

The diverse makeup is a welcome departure from Chicken Soup for the Soul style reflections. Many will remember the usual stories of bad skin and schoolyard problems that formed the dominant narrative in these entries, often leaving youth struggling with issues like racism and questioning sexualities out of the discourse. Sheila’s mission is to break that pattern and widen the net for identification, a pursuit akin to the groundbreaking work published in Shameless Magazine, where Sheila serves as Editorial Director to a dedicated staff of volunteers committed to sharing a fresh feminist take on teen magazines.

We hope you enjoy this glimpse into Sheila's work. Stay tuned for more insights into the work of Letters Lived contributors, and be sure to join us in celebrating the release of this exciting collection on November 26th in Toronto at the Centre for Social Innovation. RSVP via our Facebook event page.

Posted
AuthorSheila Sampath

(By Three O'Clock Press; originally published at threeoclockpress.com)

Over the coming weeks, we will be sharing information about the amazing contributors to Letters Lived: Radical reflections, revolutionary paths. To kick it off, we’re taking a look at the life and work of the incredible Grace Lee Boggs, who wrote the book’s foreword. (NOTE: We could easily fill the entirety of the internet with writings about this amazing woman, but this is just a super small look. For further reading, we’ve provided links below.)

The timing for us to talk about Grace Lee Boggs could not be more perfect. A new documentary about Boggs’ life and work is being released this month, entitled American Revolutionary: The Evolution of Grace Lee Boggs (more info about upcoming screenings and events can be found here. For Toronto folks, there’s a free screening tonight put on by the Reel Asian Film Festival.

We can’t imagine a more worthy subject for a film: not only has she been a passionate, revolutionary writer and activist for more than 70 years, at 98, Boggs’ commitment to her work continues. We are beyond honoured and thankful that she contributed her words to the Letters Lived project.

By way of some background: Born in 1915 Grace Lee was known in the 1940s and 1950s for her political collaboration with Afro-Trinidadian theorist, historian, writer and activist C.L.R. James. In 1953, she married African American auto worker and activist James Boggs, and they moved to Detroit—the city which would become the focus of much of their activism, specifically community activism, for decades to come. 

In her foreword to Letters Lived, Boggs speaks to the intergenerational context her elders provided for her own activism, one that was both “nur­turing and challenging.” Boggs goes on to write that by the 1980s, as she and James organized against youth violence in Detroit, they became “acutely aware of how much the generations had become isolated from one another. Older people, especially, had become fearful and disdain­ful of youth.” In response to this growing separation, Grace Lee and James Boggs organised Detroit Summer, an intergenerational movement to “rebuild, redefine and respirit” the city. Through Detroit Summer, Boggs writes, they found that “young people were hungry for authentic connec­tions with elders.”

Grace closes her foreword by writing that the ties between generations—as she has seen throughout her many decades of activism—“have been critical to our evolution as human beings.” She hopes that Letters Lived will “open up all of our thinking about the importance of these critical connections.”

More information about Grace Lee Boggs and her work:

http://graceleeboggs.com/

More information about the documentary:

http://americanrevolutionaryfilm.com/ 

And don’t forget, we’re having a party and you’re invited!! Please join us in celebrating the release of Letters Lived on November 26 in Toronto!

Centre for Social Innovation Annex, 720 Bathurst St. (South of Bloor), 7pm-10pm

We've got a great event planned, including: 

- Contributors to the collection sharing their letters!

- Youth sharing letters they have written to their future selves!

- Tunes!

- A letter-writing station where you can share your own radical reflections/revolutionary paths!

Accessibility info:

-The CSI Annex space is accessible for mobility devices.

-All of the restrooms are gender-neutral, single stall washrooms, including the mobility-device accessible washroom. 

-Though CSI Annex does not have a fragrance-free policy in place during their normal hours of operation, we ask that all of our guests come to this event scent-free. There will be a designated fragrance-free seating area within the event.

-We are currently confirming ASL interpretation for the event and will update this info as soon as it is confirmed.

-Though childcare will not be provided, this is a family-friendly event and space, and people of all ages are welcome.*Please contactpublicity@threeoclockpress.com in advance of the launch with any accessibility-related questions or concerns.

Or RSVP to the event on Facebook: https://www.facebook.com/events/547610241974332/

Posted
AuthorSheila Sampath